![]() ![]() We defined the price to reflect the value defined by the community and or market on our items and presale items. Some people might buy at 3eth to be sure to have some, but if people don’t all flock on it it’ll go down in time. Our public sale will start at 3eth, going down every 30 mins of 0.1 eth. How does that work?īenoit Pagotto: A dutch auction is a mechanic to avoid gas war peaks, starting high and going down in time. The CloneX public sale is a dutch auction. We’ll release 3D files and more assets from the first quarter of 2022, and can’t wait to see what people do with it and DAZ studio. ![]() Working with them on the utilities and the future roadmap is a dream. We’ve all used DAZ for years, and it's one of the most used 3D platforms by 3D artists worldwide, even though few people outside of the 3D community know it. It’s the best story ever for RTFKT.ĭAZ 3D is the best partner we could have got for our 3D utilities. This is the start of a whole new year for artists, and Murakami is leading the way with us. The level of creativity and professionalism is like we’ve never seen before, and we couldn’t be more proud to bring Murakami into NFTs in this way. How has it been working with Murakami on the avatars? What about Daz3D?īenoit Pagotto: Working with Murakami has always been a dream of ours, and we started the collaboration as fan and come out of it even bigger fans. It’s the opportunity for everyone to rethink their role, a real shift of power toward the creators. On a brand level, it’s also a massive shift, where your community aren’t mere ‘consumers’ anymore, but creators that are active in your ecosystem. When you think that today, 15 years old kids have been playing Minecraft for 10 years, you realize that the next generation is ready to build the metaverse. We all grew up playing video games, creating friendships, memorable stories and collecting items for years, and the Metaverse is a natural evolution of these experiences, with a new layer of ownership thanks to NFTs. Why are you betting on the Metaverse?īenoit Pagotto: We believe the Metaverse is the start of a new era, where we shift the value of objects to our digital possessions to enjoy a more healthy and simple life in the real world. We’re always going hard on utilities and plan to continue evolving our forging events mechanics, allowing people to forge physicals of their Clone’s fit, bringing some of their avatar identity to their IRL live, as people start to cosplay their characters IRL more and more. It’s a full ecosystem, being built live, and the avatars are just the tip of the iceberg. The fact we’ve been developing all in 3D, and are giving access to 3D files to the future Clone owners, is a game-changer in the sense that, not only will people be able to express themselves with their avatars, but we envision a new kind of relationship forming between owners and 3D creators who will create bespoke content for the avatars, replicating what we’ve seen with Fortnite 3D models ripped by blender creators, creating content for Twitch streamers and YouTubers. On the clothing side alone it’s like a full-blown fashion collection coming out.Ĭlone X is the start of a full ecosystem for RTFKT, an evolution of our Brand that we think will redefine how you think of fashion brands, going beyond ‘clothes’. We created the avatars and traits to merge all the things we love, from anime to sci-fi and streetwear. RTFKT Studiosīenoit Pagotto: It's the most ambitious project we’ve created so far, a new pillar for our brand experience and our community. ![]()
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